On Observation ii
Photography has become a practice of returning. I find myself drawn to the same qualities again and again: light moving across a surface, ordinary structures against open sky, plants reduced to shape, objects that become unfamiliar through careful attention.
These photographs are less concerned with describing a place than with noticing how it exists. They are made slowly, through repetition, with an interest in restraint — muted color, deliberate composition, and images that resist immediate resolution.
Rather than asking to be understood all at once, they are meant to be revisited, revealing themselves gradually through sustained looking.
